dark historyMorbid Index Editorial2026-11-01Lisbon suffered an earthquake, tsunami and fires on November 1, 1755. Understand the three hazards and why magnitude and death toll figures need qualification.Great Lisbon Earthquake, Terramoto de 1755, Lisboa earthquake

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1755 Lisbon Earthquake: Tsunami, Fires and the Death Toll

Lisbon suffered an earthquake, tsunami and fires on November 1, 1755. Understand the three hazards and why magnitude and death toll figures need qualification.

Topics: Lisbon, 1755, Earthquakes, Tsunamis, Dark History

A 1755 engraving depicting Lisbon in flames and ships tossed in a turbulent harbor

Unknown engraver, 1755, Lisbon earthquake. Museu da Cidade, via Jan Kozak Collection / Wikimedia Commons. Public-domain historical artwork; an artistic depiction, not a photograph or wave measurement. Converted to WebP without cropping.

Lisbon was devastated on November 1, 1755, by three connected hazards: an earthquake, a tsunami and fires. Buildings collapsed, the waterfront became dangerous, and fire added to the destruction. Reducing the disaster to shaking alone leaves out much of what happened.

November 1, 2026, marks the event’s anniversary. The account below concerns the 1755 disaster; the magnitude and casualty figures remain historical estimates.

Why All Saints’ Day mattered

The earthquake struck on All Saints’ Day, when many Lisbon residents were attending church. The USGS historical account describes stone buildings collapsing, people seeking safety by the river and a tsunami killing people there. It also records the city’s fires.

Those details explain the cruel change in circumstances: leaving a damaged building did not necessarily mean reaching safety. They do not establish that every victim was in church or that all fires had one ignition source.

How did an earthquake produce a tsunami?

Spain’s Instituto Geográfico Nacional places the earthquake offshore, southwest of Cape St Vincent in the Atlantic. Its name reflects Lisbon’s losses, rather than an epicenter beneath the city.

NOAA explains that a sudden upward or downward movement of the ocean floor can displace the water above it and generate a tsunami. Not every earthquake does this: location, depth and the movement involved matter.

For the 1755 event, NOAA records effects on the coasts of Portugal, Spain and North Africa, extending as far as the Caribbean. The tsunami was therefore an Atlantic event, even though Lisbon became its best-known setting. A dramatic engraving of the harbor is an artist’s representation, not a reliable instrument for calculating wave height.

Why do magnitude and death toll figures differ?

The official summaries do not give one identical set of numbers. Their figures should keep their source labels and geographical scope:

Source Magnitude figure Death figure in that source
NOAA Estimated 8.5 An estimated 50,000 from the earthquake and tsunami.
USGS November 1 history entry 8.7 70,000 deaths in its event summary.
Spain’s IGN Estimated 8.5 Around 5,000 in Lisbon from the quake, tsunami and fire.

These are not three interchangeable counts of the same population, and they should not be combined into a neat range for Lisbon alone. State whether a figure concerns the city or the wider disaster, and whether it is an estimate. The disagreement belongs in the account; choosing the largest number would not resolve it.

What survives of the historical evidence?

IGN describes questionnaires sent to Spanish towns on the orders of Ferdinand VI. Preserved in the National Historical Archive, the responses help researchers reconstruct where shaking was felt and what damage occurred. They are evidence about observed effects, rather than a modern recording of the earthquake’s source.

Jacques Philippe Le Bas’s 1757 engraving of Lisbon Cathedral ruins, with people among fallen masonry
Lisbon Cathedral ruins in a 1757 engraving by Jacques Philippe Le Bas (1707–1783). Historical artwork, not a photograph taken during the disaster. Source and public-domain reproduction: Wikimedia Commons, from Cabral Moncada Leilões. Full frame, converted to WebP.

Historical images answer a different question: how the destruction was represented. The 1755 harbor engraving brings shaking, water and fire into one scene; Le Bas’s later view concentrates on ruined architecture. Neither image should be treated as a measured reconstruction of every moment it depicts.

For another example of why adjacent disasters need separate explanations, see the Great Plague of London and the claim that the Great Fire ended it.

Sources & further reading